"Krag" is a moral tale of obsession. Bighorn sheep hunter Scotty MacDougall pursues a magnificent ram for over a decade, but at a terrible cost. Part natural history and part allegory, Seton shows the consequences of humankind's destruction of nature in a story which marks the literary beginning of the environmentalist movement. This show first aired on the Wonderful World of Disney in 1978. All animal work was done on location over a period of nearly eight months.

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Alessandro Corso is a special forces carabiniere. During an operation he saves a child but cause the death of one of his comrades. He's then transferred to a peaceful little town, where he will be unexpectedly forced to help an hot witness named Antavleva, protecting her and bringing them safely to the trial.

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The ABCinema group dispatched Jørgen Leth to make the arrangements with Prime Minister Jens Otto Krag, who good-naturedly put himself at their disposal. Relaxing on a bench in the garden of Copenhagen's Royal Academy of Fine Arts, Krag is scrutinised by camera-wielding collective members almost like a model in a life-drawing class. Every possible angle, distance and framing is tried. The result is an image of the prime minister that is both fragmented and multi-facetted, describing his visual appearance as a man and an icon. At the same time, the ABCinema members film each other filming Krag, which gives the film a highly self-reflective character. Like "The Deer Garden," this is a film about a film being filmed. A showdown with the documentary portrait genre, "Jens Otto Krag" is devised according to the principle of keeping the material alive by not editing it but randomly piecing it together. (DFI)

这部电影聚焦于印度研究与分析局（R&AW）追踪该组织前特工拉姆·莫汉（Ram Mohan）的行动，此人叛逃并失踪。他们需要利用他的脑力和体力技能来对付“巴尔”（Bael）恐怖组织，该组织拥有核武器，能将整个国家化为灰烬。

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A wheelchair-bound woman manipulates her family to a point where they suspect she may be unhinged.

A tense encounter between a young man in distress and his reluctant saviour.

During the COVID-19 lockdown in Lima, Ramón, a gay man in his thirties, receives the ashes of his estranged father. Unable to hold a funeral, he sets out to return the remains to his father’s native village of Mito. Along the way, he meets Mateo, a striking traveler grounded by the pandemic. Despite curfews, masks, and distancing, an unexpected bond forms. They dance, laugh, and grow attuned to each other’s presence, their closeness charged with quiet intimacy and unspoken possibility. As they journey into the Andean highlands, Ramón is drawn not only to Mateo but also to a deeper confrontation with grief, memory, and the hope of healing.